Like Channel Orange, Blonde has a stunning array of sounds: There’s cinematic soul (the Beyoncé-aided “Pink + White”), serene gospel (“Solo”), outré electronica (“Pretty Sweet”), steamy blues (“Self Control”) — even spoken-word segments (“Be Yourself”).
Despite all that wattage, it’s Ocean’s message that strikes the deepest: Blonde reflects the anxieties many Americans might feel today, whether brought on by racial tension (“Nikes”), domestic uncertainty (“Seigfried”) or social media (“Facebook Story”). It’s ambitious, sure, but Ocean tackles those concepts with such strikingly intimate tunes, it feels as if you’re slyly scrolling through his texts.
London-based fine art photographer Oliver Charles’ interest in photography began at a young age, and he has since built a collection of work which expresses the surreal and often dark stages of human emotion.
(Source: wetheurban)